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nenasoulfly:

yagazieemezi:

Nadine Ijewere is a photographer out of London with an amazing talent for portraiture and fashion photography. She creates  beautiful environments for her work using from floral and cultural influences. I love it all.

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Dedicated to the Cultural Preservation of the African Aesthetic

Mood Week.. Loving it all.

vintageblackglamour
vintageblackglamour:

A member of the African Choir, London Stereoscopic Company, 1891. From The Guardian:
The African Choir were a group of young South African singers that toured Britain between 1891 and 1893. They were formed to raise funds for a Christian school in their home country and performed for Queen Victoria at Osborne House, a royal residence on the Isle of Wight. At some point during their stay, they visited the studio of the London Stereoscopic Company to have group and individual portraits made on plate-glass negatives. That long-lost series of photographs, unseen for 120 years, is the dramatic centrepiece of an illuminating new exhibition called Black Chronicles II.
Photo: Hulton Archive/Getty Images

vintageblackglamour:

A member of the African Choir, London Stereoscopic Company, 1891. From The Guardian:

The African Choir were a group of young South African singers that toured Britain between 1891 and 1893. They were formed to raise funds for a Christian school in their home country and performed for Queen Victoria at Osborne House, a royal residence on the Isle of Wight. At some point during their stay, they visited the studio of the London Stereoscopic Company to have group and individual portraits made on plate-glass negatives. That long-lost series of photographs, unseen for 120 years, is the dramatic centrepiece of an illuminating new exhibition called Black Chronicles II.

Photo: Hulton Archive/Getty Images

soulbrotherv2
jeffreyscales:

A Young Child Named Maya Rudolph
In 1975 I had just come off a brief tour I was on with a band that was opening for Joe Walsh, when Irving Azoff’s company, Frontline Management, which managed Walsh suggested I’d be a good fit to tour with Minnie Riperton.
They were right; when I met Minnie I felt I’d met a long lost older sibling, and would continue working for her after she left Azoff’s management, and throughout the remaining years of her career.
Besides a voice seemingly from heaven, she had the most delightful family as well. Her two children Marc, and Maya were a joy, and her husband, Richard Rudolph, who still to this day, is one of nicest people you could ever meet.
I was just in my early 20’s, toting around a Hasselblad camera wherever I went. When I was working as Minnie’s tour manager, I rarely had the time, or situation to formally photograph her. Although I always had my camera, I was still a very young photographer, and had not yet developed the skills to capture what it was I saw in her, so my collection of photographs of her is limited.
However, during our off time off from touring, I was often at their home around her family and photographed Maya frequently. Most children get very antsy in front of a camera, but she seemed to be fascinated with the photographic process. She held a firm gaze and always seemed to be studying this photographic process very closely, so I’m not at all surprised that she’s become one the finest comedic actors working in front of a camera today.
I’m also not surprised that Maya found her way into comedy. What few people may know about her mother is that Minnie was one of the most hilarious women you’d ever meet. She had a wry, even ribald wit that would totally disarm the coolest of characters, the biggest record producers, and the most pompous industry executives of the day.
Maya was five or six years old in this photograph. It was taken at their home in Westwood, CA near the UCLA campus. Maya in her swim suit, sitting in front of the TV with a vintage cable TV box, near a baseball bat & glove, while Minnie in one of her flowing dresses steps out of frame right, and “Sparkle” their devoted Standard Poodle slips by behind her. 
This photograph captures so much of the special warmth, and familial connection I experienced at their home during those days. They were a very special family, whom I will always appreciate how generously they brought me into their lives. 
 

jeffreyscales:

A Young Child Named Maya Rudolph

In 1975 I had just come off a brief tour I was on with a band that was opening for Joe Walsh, when Irving Azoff’s company, Frontline Management, which managed Walsh suggested I’d be a good fit to tour with Minnie Riperton.

They were right; when I met Minnie I felt I’d met a long lost older sibling, and would continue working for her after she left Azoff’s management, and throughout the remaining years of her career.

Besides a voice seemingly from heaven, she had the most delightful family as well. Her two children Marc, and Maya were a joy, and her husband, Richard Rudolph, who still to this day, is one of nicest people you could ever meet.

I was just in my early 20’s, toting around a Hasselblad camera wherever I went. When I was working as Minnie’s tour manager, I rarely had the time, or situation to formally photograph her. Although I always had my camera, I was still a very young photographer, and had not yet developed the skills to capture what it was I saw in her, so my collection of photographs of her is limited.

However, during our off time off from touring, I was often at their home around her family and photographed Maya frequently. Most children get very antsy in front of a camera, but she seemed to be fascinated with the photographic process. She held a firm gaze and always seemed to be studying this photographic process very closely, so I’m not at all surprised that she’s become one the finest comedic actors working in front of a camera today.

I’m also not surprised that Maya found her way into comedy. What few people may know about her mother is that Minnie was one of the most hilarious women you’d ever meet. She had a wry, even ribald wit that would totally disarm the coolest of characters, the biggest record producers, and the most pompous industry executives of the day.

Maya was five or six years old in this photograph. It was taken at their home in Westwood, CA near the UCLA campus. Maya in her swim suit, sitting in front of the TV with a vintage cable TV box, near a baseball bat & glove, while Minnie in one of her flowing dresses steps out of frame right, and “Sparkle” their devoted Standard Poodle slips by behind her.

This photograph captures so much of the special warmth, and familial connection I experienced at their home during those days. They were a very special family, whom I will always appreciate how generously they brought me into their lives.

 

photographyprison

bremser:

Any large collection of color portraits from the 1940’s and 50’s are bound to be interesting, but Carl Van Vechten's work so thoroughly documented African-American writers, musicians, actors, and dancers in New York City, making it one of the important photographic projects during the period. He was persistent, working with Kodachrome during this time was a financial and technical challenge. There's an awkward and non-professionally produced quality to many of the sittings, which often results in inexplicable greatness - the portrait of James Baldwin is an example. I can't read whether Baldwin is annoyed, perplexed, or acting out a character.

One aspect of this incredible archive are the backgrounds - many designed uniquely for the individual session. Beyond Van Vechten’s tenacity for arranging the portraits, this might be his area of true genius, using bits of wallpaper, fabric and sometimes artworks to reflect the subject’s personality, while exploiting the possibilities of the Kodachrome palette.

June 17th is Carl Van Vechten’s birthday.